These things give the stone or canvas its form, its expression, its content, its meaning. Step 1: Pick a painting Pick a painting that strikes your fancy, either in your art history book or in the museum. The next consideration is style, which is fundamentally the mark of the artist's creativity in the picture. How does the use of media help the artist to communicate ideas? Amiria is a CIE Accredited Art & Design Coursework Assessor. Some artists follow well-established fashions -- several Renaissance portraits look almost exactly alike to the casual viewer, for instance -- while others go out of their way to be different and hard. Step 3: Determine color and tone Determine the color and tone of the painting. You can get this from the artist's biographical information. She has a Bachelor of Architectural Studies, Bachelor of Architecture (First Class Honours) and a Graduate Diploma of Teaching. As complex as works of art typically are, there are really only three general categories of statements one can make about them. What is it about the painting that makes you happy? If you don't have a lot of background in art, talking about art - whether at a museum or in conversation - can be a little stressful. The topic might be a scene, an individual or group of people, a scene in the story, a construction or town scene, an animal, a lifetime, a fantasy scene. – Sylvan Barnet, A Short Guide to Writing About Art2. Painting: gesso ground > textured mediums > underdrawing > blocking in colors > defining form > final details; Architecture: brief > concepts > development > working drawings > foundations > structure > cladding > finishes; Graphic design: brief > concepts > development > Photoshop > proofing > printing. You must introduce and contextualize your descriptions of the formal elements of the work so the reader understands how each element influences the work’s overall effect on the viewer. – Tate.org.uk, All art is in part about the world in which it emerged. Editions de l'Agenda de L'Empresa have published a collection of her articles, and she is the author of several articles on the work of the sculptor Tom Carr. Bonus Download: New to painting? Don't trap yourself in trying to work out "what the artist intended"; concentrate instead on what the work says to you. That is the subject of the painting. A painting can be wholly abstract (meaning, it has no resemblance to any natural shapes: a form known as non-objective art), or organically abstract (some resemblance to natural organic forms), or semi-abstract (figures and other objects are discernible to an extent), or representational (its figurative and other content is instantly recognizable). (see the color chart) Believe it or not, value is more … Often a painting will include very clear symbols — skulls, for instance, were often included in portraits of the wealthy to remind them that their wealth was only worldly and, in the grand scheme of things, ultimately meaningless. A statement addresses form, content or context (or their various interrelations). Art should attract you through your perceptions. How to understand a painting. Whether it's a painting, recording, sculpture, building, or some other art form, a piece of art is the result of feelings from a certain time and place in history. The words provided as examples are intended to help students think about appropriate vocabulary to use when discussing a particular topic. This video by Dr. Beth Harris, Dr. Steven Zucker and Dr. Naraelle Hohensee provides an excellent example of how to analyse a piece of art (it is important to note that this video is an example of ‘formal analysis’ and doesn’t include contextual analysis, which is also required by many high school art examination boards, in addition to the formal analysis illustrated here): The questions below are designed to facilitate direct engagement with an artwork and to encourage a breadth and depth of understanding of the artwork studied. They are intended to prompt higher order thinking and to help students arrive at well-reasoned analysis. A little more understanding is achieved merely by looking at it for longer than a few seconds. Visitors to the Belvedere Museum, Vienna, look at Gustav Klimt’s painting ‘Der Kuss’ (The Kiss), painted between 1907–8). Cart All. Simply look at what’s in front of you, the colours, the textures, the contrast, the size, the shininess, the dirtiness, the positioning of the objects in the painting. Picasso, on the other hand, is noteworthy for unbelievably deconstructed work, imparting a sort of modernity to the simple act of the subject matter. LOOK AT WHAT’S IN FRONT OF YOU: When you’re standing in front of a painting, look at the painting. Creating cool paintings in abstract art language. Students should not attempt to copy out questions and then answer them; rather the questions should be considered a starting point for writing bullet pointed annotation or sentences in paragraph form. Why / why not? Whether you're bidding on a paint job or shopping around for someone to paint your home, it's important to understand what goes into estimating the price. Includes a section about sketchbook annotation ) the subject and symbolism, but it should grab attention. 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